Celestia has most definitely had enough of Twi's... yeah |
Despite a few hiccups, some of which may be New Writer Syndrome, I think he did pretty well with the story of Celestia's part in Twilight's "Ones-versary" play. Now, NWS doesn't get you out of any blame for problems: after all, Corey Powell's debut was the sublime "Sleepless in Ponyville". But I can forgive a few bumps if the ride as a whole is enjoyable, and I had plenty of fun with this episode. Best Celestia-heavy ep? No. That remains "A Royal Problem" from last year. But I'm certainly glad we had it.
Characterisation was a bit strange: not bad, but in places it felt about five years out of date; witness Rainbow's blunderbuss approach to show publicity, Pinkie's very clunky line about the fireworks, etc. (I can absolutely credit Trixie trying to sell dodgy magic props in a back street, though.) Together with the broad humour of a lot of the ep, I felt there were echoes of "Lesson Zero" here – which is, incidentally, when Celestia previously used the Royal Canterlot Voice in canon.
Even for Equestria, "destroyed by giant flaming marshmallow" would be quite an insurance claim |
Let's now consider the fact that Princess Celestia, a consummate politician and diplomat, can't stage-act. Is this a problem? To me, no. This seems to be an example of the Centipede's Dilemma – Tia can doubtless do 99.9% of her royal duties on autopilot. Just look at our real-life Queen for another example. But when she actually needs to think about her acting, she collapses in a heap. (Also, Margaret Thatcher appeared in a self-written Yes, Minister sketch once and was pretty bad.)
And here's the thing: late on in the episode, when faced with an acknowledged actual crisis (albeit not a world-threatening one for once), Celestia was superb. She chose the right pony for the right job in every single case, barely needing to pause for breath as she did so. She knew Fluttershy could play her, and she knew how to give her the confidence to do so. Delegating well is a huge part of effective leadership, and something Tia could probably have done in her sleep. I really appreciated seeing Celestia on top of things here.
She's a natural, of course |
I think the way Spike was treated by the Mane Six (sans Twi) late on was a bit beneath their S8 personalities. However, at least Spike himself managed to play a solid supporting role, and – that fruit-throwing scene apart – he wasn't usually the butt of a joke. I liked his "Now that's the best acting we've seen all day" aside, for example, and it was nice to see him narrating given that he did the same for the play in "Hearth's Warming Eve".
Starlight didn't have much of a role, but she had an absolute zinger of a line in "You're not a Princess princess". As with many of Glimmy's one-liners, she does have a point. Acting coaches On Stage and Raspberry Beret (uncredited, but voiced by Andrea Libman) were okay, though I didn't find their segment terribly interesting and Celestia behaved like an utter blockhead at times. The coaches weren't created for this episode: they belong to the Method Mares in "Made in Manehattan".
That's the reflection of the huuuuge firework that's about to go off |
Briefly noted: The Journal of the Two Sisters has been at least partially canonised. The two-legged Smolder's costume has a little wheel holding up the back. Twilight's freakout has the red background from her freakout in S1's "Feeling Pinkie Keen", though not the Ponyta flames. The clouds Rainbow collects look like stage props, not real Equestrian clouds. And, of course: "Gotcha!" Trollestia returns with the line she used in "A Bird in the Hoof" all those years ago.
Like last week's episode, "Horse Play" was one which was far from being flawless but which I nevertheless found enormously entertaining. Celestia's disappointment in Twilight didn't quite tug at my heartstrings like Scootaloo's swimming, but this is still an ep I feel I will return to, just for fun, sometimes. I wouldn't say S8 has done remotely enough yet to be considered a classic season, but things are going in the right direction.
And now, Logan will improvise something approaching a review summary |
Yays
- Very funny for much of the time
- At long last, an episode that's actually about Celestia specifically!
- Superb voice work by pretty much everyone
- The "Ones-versary" adds some interesting definiteness to chronology
- The Journal of the Two Sisters semi-canonised
- Princess Fluttershy. Who needs M. A. Larson?
- Characterisation feels a little old-series at times
- Pinkie was written a bit unevenly
- A small number of lines fell flat
Well I must say that I'm impressed. Despite all the developments that the Character went throught in the years, Writers still manage to use Twilight greatly throught the Series. I really liked How the conflict was made Here:. Twilight knew she was in the wrong by not telling Celestia she was a bad actress, but she really wanted to give her something For once and she tries everything in Order to still giving her part without making her a laughing stalk. Even thought she wasn't Able in succeding in it, her heart was in the right place, I really liked the moment in which she apologized with Celestia. Gotta head to the Writer, for being a Newbie, he nailed her in this ep.
ReplyDeleteI do agree About Your feeviccups but honestly they are minor, and I don't care.
Pretty much – the good points greatly outweighed the bad points for me. :)
Delete"Strange" is definitely the best way to characterize the, er, characterization. >.>
ReplyDeleteAlso, whenever Celestia was excited, she sounded too much like Cheerilee, so I'm gonna have to disagree with you on the VA part. :B
I didn't think about Cheerilee at all, so it worked for me. When I listen for it, I can see what you mean, but I'll let it pass. There are episodes where Fluttershy sounds a little like Pinkie, after all.
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